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tissus à carreaux	Minority Report 2002
durée	135 minuscule
relargage	2002-06-20
caractéristique	WMV 1440p DVDScr
Genre	Action, Thriller, Science Fiction, Mystery
langagière	English, svenska
castname	Atanas B. Greene, Selyan K. Laffin, Barrès Z. Danaé

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Spielberg does Tech-Noir!

The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton (Tom Cruise) when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw? Or is he actually about to commit a murder?

Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starer, Minority Report. This marketing tool indicated that the great bearded one had adapted from the Phillip K Dick short story and created an action monster? He hadn't, he had in fact created something far far better than popcorn fodder.

Minority Report was the next project for Spielberg following the equally dark and intriguing AI: Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the crowd pleasers that many critics love to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for the messages and crawling dystopian bleakness on show paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in these post 9/11 years we yearn, and always will, to be safer.

Here in this bleached shadowy world, a world of metallic tones and visual stings (ace cinematographer Janusz Kaminski on duty), we are safe under Pre-Crime, yet still it's a world without soul, it has no heart, it's almost as if inhuman in itself, suggesting that the World's problems are not easily vanquished by technology - a total sacrifice of the World's inhabitant's souls. Spielberg of course is well served by the supreme professionals he has at his disposal, he has also managed to garner a great performance from Tom Cruise, something that critic and fan favourite directors have not managed to do previously. Believable grief, action work as strong as ever, it is however with his ability to imbue a tortured film noir protagonist where Cruise excels the most.

Alongside Cruise and operating with great impact, are Samantha Morton as Pre-Cog Agatha, and Max Von Sydow, who adds that touch of experienced know how needed for his particularly important character. the odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise, this even if he veers dangerously close to comic book villainy at times (check out a holy smoke Batman scene). What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's deft eye for an action sequence. While the sick sticks (yes you read right) metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure.

Which brings us to the finale, an ending that may not be a complete surprise (yet it still doesn't cop-out in context to Anderton's tragedy), but things are rounded off in true classic noir tradition, closing down a thinking man's tech-noir. Superb. 9/10
Works more on the strength of Spielberg than of Cruise.

_Final rating:★★★ - I personally recommend you give it a go._

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Voir The Fifth Element 1997 Film Gratuit en Ligne -1080p-MPG

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titiller le zygomatique de qn	The Fifth Element 1997
durée	172 inscrire au procès-verbal
libération	1997-05-07
qualité	M2V 1080p Blu-ray
Genre	Adventure, Fantasy, Action, Thriller, Science Fiction
langue	English, svenska, Deutsch
castname	Pinta U. Sauriol, Swati X. Derrida, Humyra Y. Nohé

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This movie is one of the best movies of all time! It has a great story lines and graphics of it's time and even to today's standards it is brilliant. The world is well though out and well demonstrated. Zorg is a great bad guy, played by Gary Oldman and Bruce Willis plays his role very well. All in all a excellent movie.
A simple enough concept: Guy must save a World (in the Future!) from Evil! by protecting a Magical Macguffin, only in this case it’s a Girl! instead of a Thing.

There’s really not a lot of story here. Not a lot of character either. Why waste valuable screen time with such paltry concerns when you can instead have Chris Tucker prancing around as a flamboyant radio host in the most annoying cinematic sci-fi supporting character not created by George Lucas? Instead, the film casts actors who do a fair job of acting simply by being themselves: Bruce Wills is Korben Dallas, a brawny, shoot-first hero who, when the chips are down, is brawny and shoot-firsty. The Magical Girlfriend MacGuffin, Leeloo, is played by Mila Jovovich (in her breakout performance) and some strategically-placed wrappings (the wrappings have had a harder time breaking into more mainstream roles). Ian Holm turns up as the Old Mentor, and filling out the cast is Gary Oldman as the antagonist Zord (in his hammiest role ever).

The film seriously rises to the level of made-for-SciFi Channel-original and no higher. The plot is nonsensical, the acting committed but laughable, and the dialogue so stiff you’d think the script pages had been starched.

So where does the film go legitimately wrong? Two main places: first, Besson carries on the proud tradition of French filmmakers doing weird things solely for the sake of being weird. The entire film is filled to the brim with the kind of idiosyncratic touches that I’ve come to expect from that region. Most of the bits don’t work, but I’ll give them credit for keeping things interesting.

The second, more serious issue is another that seems to plague genre French directors, and that’s the whole matter being played (largely) for farce. The most successful (creatively) American (sci-fi/)action films are defined in very large part by their villain. This film, like so many other sci-fi/action films I’ve seen from French directors, never establish or maintain an element of power for the villains over the heroes. The villains are painted as clueless, moronic, out of their depth, or outright incompetent. That tradition continues here. What would Star Wars be without Darth Vader? Die Hard without Hans Gruber? Aliens without…uh, aliens?

Lacking a strong (or even memorable) central villain (we have two: a Gary Oldman so hammy I’m pretty sure Muslims couldn’t work on the film, and the other being a giant planet-size ball of…Pure!Evil! No joke.), the film sacrifices the one shot it had at having some kind of weight or dimension. There’s no sense of danger or peril, no chance that the Hero won’t triumph, and [spoilers!] the day is essentially saved by a Care Bear stare.

So, does what I’ve just said make it bad? Well, yes. Let’s try again. Does that made it unenjoyable? No, and it’s an important distinction to make. The film is an interesting curiosity. After a half-hour of the bizarre, if you can let yourself be swept into its idiosyncratic world you’ll find a perfectly watchable B (or C)-movie. It rankles a bit to think about how much was wasted making dreck this dreck-y, but it’s entertaining dreck.
Ever since I first watched The Fifth Element in the late 90s, I've been inspired by Gary Oldman's Jean-Baptiste Emanuel Zorg.

_Final rating:★★★½ - I strongly recommend you make the time._
Negative, I am a meat Popsicle.

It's 2259 and the Earth is in mortal danger from pure evil. The only hope Earth has is something called the fifth element, which comes in the form of the newly cloned Leeloo. Along with an ex forces cab driver and a priest called Cornellius, Leeloo must piece it together before the end of mankind arrives.

Depending on which side of the fence you sit on, The Fifth Element is either a child fantasy made by an adult, or an adult fantasy made by a child! Here in lies the problem that many critics and movie watchers can't agree on. Just what does Luc Besson's film want to be? Having conceived the concept for his film at a very early age, Besson I think waited until he was comfortable with his adult eyes, and armed with the technological advancements in the late 90s, to realise his vision. With the result being a beautiful piece of science fiction that is, yes- cartoonish in every other frame.

Crucial though is that Besson's futuristic vision of New York dominates proceedings, not even a villain overdrive from Gary Oldman can detract from the colourful vistas that Besson has crafted. The sea has dropped and New York is awash with flying cars, there are no take aways anymore, the Chinese junks fly to your front door to serve you food, how cool is that? Shape shifting aliens are amongst us, who in the context of this Jean-Paul Gautier clothed universe, blend in effortlessly, and opera divas are strangely beautiful and blue creatures. In short, the film is an art direction treat, a feast for the eyes, even as the comedy and action take control in the final third.

Bruce Willis quickly leaves behind his successful trip to harder edged roles (Twelve Monkeys) to play super cabbie Korben Dallas. Gun toting and with a quip at every turn, this is the Willis that the MTV generation loves and adores. Oldman, for better or worse as Zorg, gives a memorable performance (oh my, is that a Southern American accent?), but it's with Mila Jovovich (Leeloo) that the film gets its acting spurs. A pure revelation, it begs the question on why Jovovich has failed to progress in the acting world? (stop doing tripe like Resident "will work for food" Evil films would be a good start).

Sci-fi fans will obviously get the point that the support cast features Ian Holm (Alien) and Brion James (Blade Runner), which off sets the annoying and painful turn from Chris Tucker as zany, insecure DJ Ruby Rhod (is Besson having a pop at world DJs here I wonder?). To leave us with what? A film that mildly suffers from its director giving way to his heart over his head, but hey baby, it's one groovy and enjoyable romp from start to finish regardless. 8/10

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tissée	No Country for Old Men 2007
durée	144 minute
révision	2007-11-08
qualité	WMV 1440p DVD
Buchgattung	Crime, Drama, Thriller
langage	English, Español
castname	Moulin D. Polly, Diora O. Castor, Kendall J. Pividal

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N — Wikipédia ~ N est la 14 e lettre et la 11 e consonne de lalphabet latin Employée seule la lettre N prend différentes significations selon le contexte

Newton unité — Wikipédia ~ Le newton 1 symbole N est lunité de mesure de la force nommée ainsi en lhonneur dIsaac Newton pour ses travaux en mécanique classique Il équivaut à un kilogramme mètre par seconde carrée 1 kg m s −2

Ligne N du Transilien — Wikipédia ~ La ligne N du Transilien plus souvent simplement dénommée ligne N est une ligne de trains de banlieue qui dessert louest de lÎ relie ParisMontparnasse à ManteslaJolie Dreux et Rambouillet Lancée en 2004 la ligne N est longue de 117 kilomètres Exploitée par la SNCF elle transporte aujourdhui en moyenne 117 000 voyageurs chaque jour de semaine 1

na — Wikipédia ~ na ou NA est une abréviation de locutions en anglais utilisée dans des tableaux de données statistiques par conséquent généralement employée dans le langage informatique et prenant les significations suivantes Non applicable not applicable quand deux éléments ou plus ne sont pas compatibles entre eux le résultat est dit « non applicable »

Nom de famille — Wikipédia ~ En France les noms de famille sont apparus à partir du XIV e siècle réf nécessaire auparavant les personnes nétaient appelées que par des prénoms et le lieu dhabitation En France depuis la loi n o 2003516 du 18 juin 2003 relative à la dévolution du nom de famille la transmission du nom de famille ne fait plus aucune distinction entre le nom de la mère et celui du père

Ngoni — Wikipédia ~ Le n’goni est un instrument à cordes pincées d’Afrique de lOuestCest un terme désignant plusieurs instruments similaires qui sont soit des luths soit des harpesluths

Navire — Wikipédia ~ Les navires militaires Ce terme recouvre une grande variété dutilisation car ces navires sont spécialisés porteavions porteaéronefs navires antisousmarins antiaériens sousmarins dattaque sousmarins stratégiques pétroliers ravitailleurs navires de soutien logistique hôpitaux et ateliers de réparation et ravitailleurs navires patrouilleurs navires de transport de

Rapport CN — Wikipédia ~ Mesure du rapport CN On peut mesurer le rapport CN par la méthode de Kjeldahl ou avec des appareils mettant en œuvre la chromatographie en phase gazeuse 1 Rapport CN de différentes matières organiques Le rapport CN est très élevé pour la matière végétale fraîche 50 à 150 pour la paille et diminue tout au long de sa décomposition en se stabilisant autour de 10 pour lhumus

Guns N Roses — Wikipédia ~ Guns N Roses est un groupe de hard rock américain originaire de Los Angeles en é en 1985 il se compose du chanteur Axl Rose des guitaristes Slash et Izzy Stradlin du bassiste Duff McKagan et du batteur Steven groupe est devenu en peu dannées lun des groupes de hard rock les plus populaires avec plus de 100 millions dalbums vendus dans le monde 2 dont 45

Carignan N — Wikipédia ~ Le carignan N 2 N 1 est un cépage noir de cuve dorigine espagnole mais où il ny est presque plus cultivéArrivé en France il est essentiellement cultivé dans le vignoble du entre parfois dans la production de vin rosé et il partage avec le gamay une réputation injustifiée aujourdhui de cépage médiocre uniquement planté pour son rendement

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tissée	Malcolm X 1992
durée	187 minute
mise en liberté	1992-11-18
caractéristique	Dolby Digital 1440p VHSRip
Buchgattung	Drama, History
langage	العربية, English
castname	Anezka L. Gour, Danika V. Elouan, Esengul X. Jessica

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