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titre admis en équivalence	The Fifth Element 1997
durée	125 minute
relargage	1997-05-07
caractéristique	DAT 1080p WEB-DL
Genre	Adventure, Fantasy, Action, Thriller, Science Fiction
langagière	English, svenska, Deutsch
castname	Mendel L. Onésime, Pratt D. Daigle, Nguyen T. Metin

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This movie is one of the best movies of all time! It has a great story lines and graphics of it's time and even to today's standards it is brilliant. The world is well though out and well demonstrated. Zorg is a great bad guy, played by Gary Oldman and Bruce Willis plays his role very well. All in all a excellent movie.
A simple enough concept: Guy must save a World (in the Future!) from Evil! by protecting a Magical Macguffin, only in this case it’s a Girl! instead of a Thing.

There’s really not a lot of story here. Not a lot of character either. Why waste valuable screen time with such paltry concerns when you can instead have Chris Tucker prancing around as a flamboyant radio host in the most annoying cinematic sci-fi supporting character not created by George Lucas? Instead, the film casts actors who do a fair job of acting simply by being themselves: Bruce Wills is Korben Dallas, a brawny, shoot-first hero who, when the chips are down, is brawny and shoot-firsty. The Magical Girlfriend MacGuffin, Leeloo, is played by Mila Jovovich (in her breakout performance) and some strategically-placed wrappings (the wrappings have had a harder time breaking into more mainstream roles). Ian Holm turns up as the Old Mentor, and filling out the cast is Gary Oldman as the antagonist Zord (in his hammiest role ever).

The film seriously rises to the level of made-for-SciFi Channel-original and no higher. The plot is nonsensical, the acting committed but laughable, and the dialogue so stiff you’d think the script pages had been starched.

So where does the film go legitimately wrong? Two main places: first, Besson carries on the proud tradition of French filmmakers doing weird things solely for the sake of being weird. The entire film is filled to the brim with the kind of idiosyncratic touches that I’ve come to expect from that region. Most of the bits don’t work, but I’ll give them credit for keeping things interesting.

The second, more serious issue is another that seems to plague genre French directors, and that’s the whole matter being played (largely) for farce. The most successful (creatively) American (sci-fi/)action films are defined in very large part by their villain. This film, like so many other sci-fi/action films I’ve seen from French directors, never establish or maintain an element of power for the villains over the heroes. The villains are painted as clueless, moronic, out of their depth, or outright incompetent. That tradition continues here. What would Star Wars be without Darth Vader? Die Hard without Hans Gruber? Aliens without…uh, aliens?

Lacking a strong (or even memorable) central villain (we have two: a Gary Oldman so hammy I’m pretty sure Muslims couldn’t work on the film, and the other being a giant planet-size ball of…Pure!Evil! No joke.), the film sacrifices the one shot it had at having some kind of weight or dimension. There’s no sense of danger or peril, no chance that the Hero won’t triumph, and [spoilers!] the day is essentially saved by a Care Bear stare.

So, does what I’ve just said make it bad? Well, yes. Let’s try again. Does that made it unenjoyable? No, and it’s an important distinction to make. The film is an interesting curiosity. After a half-hour of the bizarre, if you can let yourself be swept into its idiosyncratic world you’ll find a perfectly watchable B (or C)-movie. It rankles a bit to think about how much was wasted making dreck this dreck-y, but it’s entertaining dreck.
Ever since I first watched The Fifth Element in the late 90s, I've been inspired by Gary Oldman's Jean-Baptiste Emanuel Zorg.

_Final rating:★★★½ - I strongly recommend you make the time._
Negative, I am a meat Popsicle.

It's 2259 and the Earth is in mortal danger from pure evil. The only hope Earth has is something called the fifth element, which comes in the form of the newly cloned Leeloo. Along with an ex forces cab driver and a priest called Cornellius, Leeloo must piece it together before the end of mankind arrives.

Depending on which side of the fence you sit on, The Fifth Element is either a child fantasy made by an adult, or an adult fantasy made by a child! Here in lies the problem that many critics and movie watchers can't agree on. Just what does Luc Besson's film want to be? Having conceived the concept for his film at a very early age, Besson I think waited until he was comfortable with his adult eyes, and armed with the technological advancements in the late 90s, to realise his vision. With the result being a beautiful piece of science fiction that is, yes- cartoonish in every other frame.

Crucial though is that Besson's futuristic vision of New York dominates proceedings, not even a villain overdrive from Gary Oldman can detract from the colourful vistas that Besson has crafted. The sea has dropped and New York is awash with flying cars, there are no take aways anymore, the Chinese junks fly to your front door to serve you food, how cool is that? Shape shifting aliens are amongst us, who in the context of this Jean-Paul Gautier clothed universe, blend in effortlessly, and opera divas are strangely beautiful and blue creatures. In short, the film is an art direction treat, a feast for the eyes, even as the comedy and action take control in the final third.

Bruce Willis quickly leaves behind his successful trip to harder edged roles (Twelve Monkeys) to play super cabbie Korben Dallas. Gun toting and with a quip at every turn, this is the Willis that the MTV generation loves and adores. Oldman, for better or worse as Zorg, gives a memorable performance (oh my, is that a Southern American accent?), but it's with Mila Jovovich (Leeloo) that the film gets its acting spurs. A pure revelation, it begs the question on why Jovovich has failed to progress in the acting world? (stop doing tripe like Resident "will work for food" Evil films would be a good start).

Sci-fi fans will obviously get the point that the support cast features Ian Holm (Alien) and Brion James (Blade Runner), which off sets the annoying and painful turn from Chris Tucker as zany, insecure DJ Ruby Rhod (is Besson having a pop at world DJs here I wonder?). To leave us with what? A film that mildly suffers from its director giving way to his heart over his head, but hey baby, it's one groovy and enjoyable romp from start to finish regardless. 8/10

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Regarder The Lord of the Rings: The Return of the King 2003 Film Gratuit -720p-M4V

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titisme	The Lord of the Rings: The Return of the King 2003
durée	116 minute
émission	2003-12-01
vertu	M4V 720p WEB-DL
Buchgattung	Adventure, Fantasy, Action
langue	English
castname	Bureau M. Crosby, Chyanne A. Deblois, Colon B. Stuti

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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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Telecharger Cruel Intentions 1999 Film Gratuit -720p-Dolby Digital

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titan	Cruel Intentions 1999
durée	147 inscrire au procès-verbal
abandon	1999-03-05
caractéristique	MPE 1440p BRRip
Buchgattung	Drama, Romance, Thriller, Comedy
langagière	English, Français, Tiếng Việt
castname	Aïcha L. Alanna, Benicio S. Daquan, Mylie R. Ashmita

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T S Eliot — Wikipédia ~ Œuvres principales La Chanson damour de J Alfred Prufrock 1917 La Terre vaine 1922 Meurtre dans la cathédrale 1935 modifier T S Eliot de son nom complet Thomas Stearns Eliot 26 septembre 1888 4 janvier 1965 est un poète dramaturge et critique littéraire américain naturalisé britannique Il a reçu le prix Nobel de littérature en 1948 Sommaire 1 Biographie 11

Cao Cao — Wikipédia ~ Cao Cao 155 à Bozhou 15 mars 220 à Luoyang ou Ts’ao Ts’ao chinois 曹操 pinyin Cáo Cāo de son prénom social Mengde 孟德 Mèngdé était un seigneur de guerre écrivain et poète de la fin de la dynastie Han en Chine antique Premier ministre du dernier empereur de la dynastie Han il se rend maître de tout le nord de la Chine et établit les fondations du

Dynastie Qin — Wikipédia ~ Origines et premiers développements Les origines de la dynastie Qin remontent à la période des Zhou de lOuest 1046771 plus précisément aux premières années du IX e siècle Lancêtre de la lignée alors établie dans le Gansu est un certain Feizi qui est doté en terres par le roi Xiao des Zhou notamment en raison du talent dont avait fait montre son lignage dans lélevage

Qin Shi Huang — Wikipédia ~ Sima Qian Shiji Chapitre VI « Qin Shihuang » Le roi suit le programme préconisé par son conseiller Li Si désormais ministre de Qin frapper rapidement le royaume faible et limitrophe de Han afin deffrayer les autres royaumes dépenser généreusement pour soudoyer les ministres influents des États rivaux et même pour éliminer les personnalités constituant les principaux

Tibet — Wikipédia ~ La région autonome du Tibet est un ensemble administratif créé en 1965 par la République populaire de Chine couvrant quelque 12 million de kilomètres carrés 17 et désignée sous le nom de « Tibet » par le gouvernement de la Chine mais aussi selon Andrew Martin Fischer par la plupart des médias occidentaux 18 ainsi que par des encyclopédies et des guides de voyage 19

Che Guevara — Wikipédia ~ Ernesto Guevara N 1 plus connu comme « Che Guevara » ou « le Che » prononcé communément t ʃ e ɡ e v a r a en français et t͡ʃ e ɡ e ˈ β a ɾ a en espagnol N 2 né le 14 juin 1928 à Rosario en Argentine et mort le 9 octobre 1967 à La Higuera en Bolivie est un révolutionnaire marxisteléniniste et internationaliste argentin ainsi quun homme politique d

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titre admis en équivalence	Spider-Man 3 2007
durée	143 inscrire au procès-verbal
émission	2007-05-01
qualité	FLV 1440p WEBrip
Gattung	Fantasy, Action, Adventure
langage	English, Français
castname	Anouk J. Bardot, Santa R. Homayra, Ronan Y. Eugenio

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tissé à la main	The Lion King 1994
durée	186 minute
mise en liberté	1994-05-07
qualité	DTS 1080p TVrip
Buchgattung	Family, Animation, Drama
langagier	English
castname	Tavleen G. Ellyse, Sarra T. Brianne, Gwenlli L. Madina

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