Thursday, February 28, 2019

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Black Hawk Down 2001

durée

136 minuscule

mise en liberté

2001-12-28

caractéristique

MPEG-1 1080p
HDTV

Buchgattung

Action, History, War

langage

English, Somali

castname

Devonne
V.
Mitra, Féher Y. Layad, Kadidia R. Jinane





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Telecharger The Lord of the Rings: The Fellowship of the Ring 2001 Film Gratuit -720p-Sonics-DDP

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tissé à la main

The Lord of the Rings: The Fellowship of the Ring 2001

durée

112 minute

version

2001-12-18

caractéristique

Sonics-DDP 1080p
HDTS

Genre

Adventure, Fantasy, Action

langagier

English

castname

Owen
H.
Côme, Nynette C. Bacon, Brychan F. Haidyn





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Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.

Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...


Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.

RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.

The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.

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Tuesday, February 26, 2019

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The Curious Case of Benjamin Button 2008

durée

145 inscrire au procès-verbal

version

2008-12-25

propriété

SDDS 720p
Bluray

Gattung

Fantasy, Drama, Thriller, Mystery, Romance

langue

English

castname

Andrés
Z.
Polly, Nowshin O. Caua, Cruise X. Laytan





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tissé

Legally Blonde 2001

durée

115 inscrire au procès-verbal

version

2001-07-13

caractéristique

SDDS 1440p
HDTV

Genre

Comedy

langagier

English

castname

Gaëtan
K.
Arbesa, Herrera F. Mejia, Amen M. Denisha





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titiller

Crash 2004

durée

114 minute

relargage

2004-09-10

propriété

AVI 720p
HDTV

Gattung

Drama

langage

English, فارسی, Español, 普通话, 한국어/조선말

castname

Biard
F.
Dwij, Chédin K. Point, Cassi A. Norman





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Monday, February 25, 2019

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titre

Forrest Gump 1994

durée

135 minuscule

mise en liberté

1994-07-06

caractéristique

SDDS 720p
WEBrip

Gattung

Comedy, Drama, Romance

langagière

English

castname

Fanetta
R.
Emelina, Kenyon T. Maena, McKayla A. Allene





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tissée

The Lord of the Rings: The Return of the King 2003

durée

166 minuscule

révision

2003-12-01

propriété

ASF 1080p
DVDScr

Buchgattung

Adventure, Fantasy, Action

langagier

English

castname

Olivier
M.
Ilina, Brette E. Ruwen, Angelo O. Charlot





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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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The Sandlot"





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titiller

The Sandlot 1993

durée

121 minute

lancement

1993-04-07

caractéristique

FLA 720p
Blu-ray

Genre

Comedy, Family

langage

Français, English

castname

Amol
I.
Boulé, Nahiya C. Ahmar, Romie Q. Yvon





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Gladiator 2000 Streaming HD - Telecharger Film -1080p-AVCHD

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Gladiator"





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titrable

Gladiator 2000

durée

195 minute

abandon

2000-05-01

propriété

AVCHD 720p
HDTV

Genre

Action, Drama, Adventure

langue

English

castname

Nunez
I.
Ledio, Hasna J. Eiffel, Kévin B. Tiersen





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Gladiator has been my most favorite film of all time. It is an epic masterpiece in many ways and it really explains why despite the numerous viewings, Gladiator still amuses me with its powerful imageries and many other crucial aspects so that it won five Academy Awards. This film is very well written, the well-ensemble casts, the A-class acting (especially Russell Crowe and Joaquin Phoenix), the stunning cinematography and definitely a strong character of Maximus (magnificently portrayed by Russell Crowe) whose life, struggle, disappointment and anger really move the audience, as if the world attention centers on him. Gladiator is not a historical film, because it only used the history of the ancient Roman Empire merely as the time setting.
All other aspects namely those gorgeous shots, the great storyline/plot, the fantastic cinematography, the vividly lavish colors, detailed production design and digital imaging (that successfully rebuilt the stunning beauty of the ancient Roman Empire) and all sell really well, making the 170 minute-long running time definitely worthwhile. The visual of great battle in the first 15 minutes really stole my heart. The gruesome pictures, the blood and violence just to beautiful to abandon. Everything in this movie seems perfectly balanced, Ridley Scott as the film director really did his homework well in redefining and revitalizing the big battle sequence once considered masterpiece from Spartacus and Ben Hur. In the end, once again, I would say that Gladiator perfectly combines some crucial elements such as good, moving story, dazzling visual, beautiful scenery, filming techniques, direction and touching music score into one harmonious, action-packed film about heroism and its true meaning.
They said you were a giant. They said you can crush a man's skull with one hand.

Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.

In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity.

So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel, actually overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny - with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things.

Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10
Ridley Scott's Gladiator is a real masterpiece of its genre. With its unique battle scenes, cinematography, acting and directing. It's a real must-watch. Shame on you if you haven't watched this movie!

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Sunday, February 24, 2019

Voir Se7en 1995 Film Gratuit -1080p-M2V

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Se7en"





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tissus écossais

Se7en 1995

durée

164 minute

version

1995-09-22

caractéristique

FLA 1440p
DVD

Gattung

Crime, Mystery, Thriller

langage

English

castname

Ceirion
A.
Poiret, Marisol G. Pomeroy, Kiva A. Evalyne





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Blow 2001 Film Gratuit en Ligne -1440p-DTS

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Blow"





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titrage

Blow 2001

durée

121 minute

mise en liberté

2001-04-04

qualité

ASF 1080p
Bluray

Genre

Crime, Drama

langue

English

castname

India
G.
Lenae, Juin X. Welch, Giorgia W. Loui





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Telecharger Forrest Gump 1994 Streaming Francais -1440p-Dolby Digital

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Forrest Gump"





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titiller le zygomatique de qn

Forrest Gump 1994

durée

161 inscrire au procès-verbal

mise en liberté

1994-07-06

vertu

FLV 1080p
DVDrip

Buchgattung

Comedy, Drama, Romance

langagière

English

castname

Pinta
A.
Rubie, Paulson R. Tatiana, Ferhat S. Xzavier





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lextraterrestre — Wikipédia ~ Ce film a permis à Steven Spielberg de créer sa société de production Amblin Entertainment dont le logo est le vélo dElliott avec Ce film a lancé la carrière de Drew Barrymore alors âgée de 6 ans Elle avait néanmoins déjà joué dans Audelà du réel en 1980 et dans deux téléfilms Bogie 1980 et Suddenly Love 1978 Il a lancé aussi celle de Henry Thomas qui avait

Handicap — Wikipédia ~ Lun des premiers philosophes à écrire sur le handicap sans le nommer ainsi fut Denis Diderot dans sa Lettre sur les aveugles à lusage de ceux qui voient 1749 13Au cours de la fin du XX e siècle la notion de handicap a changé de référentiel s’appliquant dabord à lindividu puis à son interaction sociale et plus généralement avec lenvironnement




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Regarder Dazed and Confused 1993 Film Gratuit - Telecharger Film -720p-MPG

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Dazed and Confused"





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titrable

Dazed and Confused 1993

durée

153 minuscule

libération

1993-09-24

qualité

FLV 1440p
HDRip

Gattung

Comedy, Drama

langagière

English

castname

Alegria
J.
Lannes, Abir T. Netra, Alekh N. Jaron





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**for so long its not true**

I only saw it once. I dare not watch this again. For some reason it was playing at a dingy burlesque-haunted cinema on old Granville Street in Vancouver on a Sunday afternoon in 1993 where wasted men usually shuffle in to deposit their sperm. (Not enough credit goes to internet porn for cleaning up the streets). Richard Linkater wasn't a story at the time. The guy who made Slackers. The bastard love child of Jim Jarmusch and Chrissie Hynde for all I knew. No clue he'd be the chosen one to eventually deliver us to _Boyhood_. I went in with a friend on a lark and floated out on a psilocybin cloud of joy. I was awestruck. I know these guys! I wanted to endlessly sing its praises but my friend didn't get the same charge out of it. (Although months later at a Christmas party of wayward misfits, he couldn't stop playing the sound track). Maybe it was me. But this was exactly how I remembered High School in the 70's. Was I hallucinating the whole thing? Indeed I was stoned much of the time, but all that was brilliantly accounted for. All that was missing was a bit of Pink Floyd and a whole lot of Led Zeppelin as alluded to in the title. _Dazed & Confused_ isn't merely the best movie about High School in the 1970's. It is the best movie about High School, and the best movie about the 1970's, and perhaps the best movie about male adolescence (yes, yes, IMHO, of course, what else). I dare not watch it again for what if I burst the bubble of such virgin memories to forever spoil my love and admiration for it. Or was it the dingy cinema I have fond nostalgic feelings for? Something. I'll have to watch it again, probably soon, once Linklater finally gets the grand red-carpet treatment along with the golden trinkets he so long deserves.
Really solid sophomore effort by Linklater.

Loved his Hitchcock homage, especially.
**The final day of the school, but it's just the beginning!**

I won't lie that I watched it after I saw 'Everybody Wants Some!!' from the same director. Because I liked that film and I heard that was a spiritual sequel to this one. So there goes my reason. I usually love the 80s and 90s teen films, you can't compare them to what they make now. The film was from the edge of before my generation began, but I'm very related that time than the other end. So I felt very familiar and enjoyed it thoroughly.

The film focused on the final day of the high school. It opened in the afternoon during the final class and followed by night where a party was arranged by the seniors that does not take off after their parents suspected it. Between the freshmen and the seniors, a tradition follows. Some of them escape, but those who got caught, struggles to way out. Not everyone, some make it their best time in high school. So who gets what and how everyone's night turns out revealed in the remaining.

We can see some of the big names of the today's cinema in this 23 year old film. Matthew McCanaughey, Milla Jovovich, Ben Affleck and many more. Though the film never focused one particular character, it was neutral and stayed that way till the end. But it told the story of the final day of the high school about the individuals and their intentions. You do not have to be a youngster to enjoy it, it will work for everybody. So I hope you watch it, especially before to try 'Everybody Wants Some'.

_7/10_

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