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tissé	The Shawshank Redemption 1994
durée	139 minute
libération	1994-09-23
caractéristique	AVI 720p BDRip
Gattung	Drama, Crime
langue	English
castname	Marvela I. Ichac, Jaylon S. Keanna, Layton O. Yusuf

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very good movie 9.5/10 محمد الشعراوى
Some birds aren't meant to be caged.

The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate, Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them.

There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away.

It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. But when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red.

Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart.

If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie, but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.**
There is a reason why this movie is at the top of any popular list your will find.
Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror).
Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.

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Regarder Dazed and Confused 1993 Film Gratuit -720p-MPEG

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tissé	Dazed and Confused 1993
durée	171 inscrire au procès-verbal
révision	1993-09-24
caractéristique	Dolby Digital 720p BRRip
Gattung	Comedy, Drama
langue	English
castname	Ceirion I. Putzulu, Nowshin Q. Sawyer, Serrano I. Corra

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**for so long its not true**

I only saw it once. I dare not watch this again. For some reason it was playing at a dingy burlesque-haunted cinema on old Granville Street in Vancouver on a Sunday afternoon in 1993 where wasted men usually shuffle in to deposit their sperm. (Not enough credit goes to internet porn for cleaning up the streets). Richard Linkater wasn't a story at the time. The guy who made Slackers. The bastard love child of Jim Jarmusch and Chrissie Hynde for all I knew. No clue he'd be the chosen one to eventually deliver us to _Boyhood_. I went in with a friend on a lark and floated out on a psilocybin cloud of joy. I was awestruck. I know these guys! I wanted to endlessly sing its praises but my friend didn't get the same charge out of it. (Although months later at a Christmas party of wayward misfits, he couldn't stop playing the sound track). Maybe it was me. But this was exactly how I remembered High School in the 70's. Was I hallucinating the whole thing? Indeed I was stoned much of the time, but all that was brilliantly accounted for. All that was missing was a bit of Pink Floyd and a whole lot of Led Zeppelin as alluded to in the title. _Dazed & Confused_ isn't merely the best movie about High School in the 1970's. It is the best movie about High School, and the best movie about the 1970's, and perhaps the best movie about male adolescence (yes, yes, IMHO, of course, what else). I dare not watch it again for what if I burst the bubble of such virgin memories to forever spoil my love and admiration for it. Or was it the dingy cinema I have fond nostalgic feelings for? Something. I'll have to watch it again, probably soon, once Linklater finally gets the grand red-carpet treatment along with the golden trinkets he so long deserves.
Really solid sophomore effort by Linklater.

Loved his Hitchcock homage, especially.
**The final day of the school, but it's just the beginning!**

I won't lie that I watched it after I saw 'Everybody Wants Some!!' from the same director. Because I liked that film and I heard that was a spiritual sequel to this one. So there goes my reason. I usually love the 80s and 90s teen films, you can't compare them to what they make now. The film was from the edge of before my generation began, but I'm very related that time than the other end. So I felt very familiar and enjoyed it thoroughly.

The film focused on the final day of the high school. It opened in the afternoon during the final class and followed by night where a party was arranged by the seniors that does not take off after their parents suspected it. Between the freshmen and the seniors, a tradition follows. Some of them escape, but those who got caught, struggles to way out. Not everyone, some make it their best time in high school. So who gets what and how everyone's night turns out revealed in the remaining.

We can see some of the big names of the today's cinema in this 23 year old film. Matthew McCanaughey, Milla Jovovich, Ben Affleck and many more. Though the film never focused one particular character, it was neutral and stayed that way till the end. But it told the story of the final day of the high school about the individuals and their intentions. You do not have to be a youngster to enjoy it, it will work for everybody. So I hope you watch it, especially before to try 'Everybody Wants Some'.

_7/10_

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The Matrix 1999 Film Streaming -1080p-WMV

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titiller	The Matrix 1999
durée	119 inscrire au procès-verbal
abandon	1999-03-30
vertu	SDDS 1080p Bluray
Genre	Action, Science Fiction
langue	English
castname	Tyshawn Z. Bosler, Helios H. Hetansh, Harsh W. Laylah

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The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?

What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.

Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.

Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.

And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.

From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.


Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.

5/5

- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!

On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?

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