Saturday, October 13, 2018

Telecharger Hot Fuzz 2007 Streaming Francais - Telecharger Film -1440p-AVCHD

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Hot Fuzz"





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titrage

Hot Fuzz 2007

durée

158 minute

délivrance

2007-02-14

vertu

AVI 1080p
Blu-ray

Genre

Crime, Action, Comedy

langue

English

castname

Ksenia
D.
Gamache, Atiyah H. Laborit, Sajid D. Balibar





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Homage or parody, Hot Fuzz is the best of modern British comedy.

Police Constable Nicholas Angel is the pride of the London Service, trouble is is that he is making everybody else look bad, so much so his superiors promote him to Sergeant in the sleepy village of Sandford, Gloucestershire. Yet all is not right with Sandford as the locals start meeting grizzly deaths, thus thrusting Angel into his biggest case so far.

The biggest question on most film goers lips was could the pairing of Edgar Wright and Simon Pegg triumphantly follow the monster cult success of Shaun Of The Dead? Well the plot premise for Hot Fuzz hardly leaps out as something to grab the attention span of many, but they have crafted a tremendously funny film that winks at the action genre with genuine love and admiration.

Simon Pegg and his trusty sidekick, Nick Frost, clearly have an earthbound appeal that many (even outside of Britain) can warm too, not pretty or over svelt, these guys are fans of movies making movies purely for the fans, and it shows. Neither Pegg or Frost try to steal scenes from each other, both men after over a decade of working together are clearly comfortable with their coupling and thus manage to fine tune their working chemistry.

Once Angel (Pegg) lands at Sandford Village we are introduced to a ream of British Village stereotypes (archetypes actually), all characters ripe for hilarious scenarios that our fish out water (big city cop) Sergeant struggles to comprehend. We observe as he is dumb struck at the ineptitude of the Village Police Force (erm service actually) and is then forced to work alongside dough eyed Constable Butterman (a film stealing Frost). Angel's exasperation at where he finds himself is mirthful joy to us the viewers. The dialogue is priceless, one liners and hat tipping nods to the action genre come thick and fast, in fact you can watch Hot Fuzz repeatedly and play spot the homage each time. I mean come on people, we got both James Bond (a delicious turn from Timothy Dalton) and Belloq in here strutting their stuff. The action set pieces are not found wanting either, director Wright having the time of his life with the crash bang wallop that flows in the final third.

The test of a great comedy is how it stands up to repeat viewings, to me Hot Fuzz delivers no matter how many times it is viewed. For even when you know what is coming up next, the smile on your face is already there before the event, wonderful, wonderful film made by guys who love movies as much as ourselves. 10/10
I was not sure what to expect from this movie that I found on Netflix a while ago while browsing through the catalog. The movie poster makes it look like a hard-boiled police action movie but reading the reviews it became clear that it was more of a comedy. I had not heard of the movie before but it generally got good reviews so the other evening me and the boys sat down to watch it.

This is a fun movie. A good, old-fashioned British comedy. The core story could very well have been a serious crime story but the way it is implemented makes it so incredibly silly in a fun way. It starts off pretty much right away when PC Angel is told that he will be promoted but moved, because he makes the rest if the bunch of the dimwits at the precinct look bad, to a small British town where the most fun you can have is to watch the grass grow or get drunk and from there it goes downhill for Angel.

His new colleagues are somewhat weird not to mention more or less useless when it comes to police work. The by-the-book Angel is getting more and more frustrated and his only friend is the son of his new boss, whom he arrested on the first day by the way. When the grizzly “accidents” starts to happen the movie, in particular the explanations as to why they are “accidents” and not crimes, become more and more absurd. The special effects guys seems to have learned a trick or two from the Monty Python gang when it comes to over the top gory blood splattered scenes by the way.

In the final showdown between Angel and the totally whacko gang that keeps the town “clean” by deadly serious methods is short references to great many action movies. The amount of shots fired and the ratio of misses versus actual hits is nothing short of ludicrous. It was just so absurdly funny that it is difficult to describe.

If you are in the mood for some good solid British comedy then I can recommend this one. It is a very well done comedy and a lot more enjoyable than the get drunk and/or fall on your arse and/or and puke all over the place “comedies” that comes thirteen to the dozen today.

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Voir Dogtooth 2009 Streaming Complete - Telecharger Film -1440p-M1V

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Dogtooth"





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titanesque

Dogtooth 2009

durée

156 minute

abandon

2009-06-01

qualité

SDDS 1080p
HDTS

Gattung

Drama

langue

ελληνικά

castname

Tabatha
B.
Caner, Perkins L. Lirone, Kassius D. Vivian





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Brokeback Mountain 2005 Streaming Complete - Telecharger Film -1080p-FLV

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Brokeback Mountain"





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titrage

Brokeback Mountain 2005

durée

198 minuscule

version

2005-09-10

caractéristique

FLA 1080p
WEB-DL

Gattung

Drama, Romance

langagière

English

castname

Gadbois
W.
Tamara, Lorine M. Zenib, Dubost P. Kiyan





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Tagalog — Wikipédia ~ Historique Le mot tagalog est un composé des mots taga résident et ilog fleuve Le mot Tagalog signifie donc « les habitants du fleuve » Aujourdhui il ny a pas déchantillon de cette langue avant larrivée des Espagnols parce qualors les Philippins écrivaient leur langue sur des feuilles darbres et des écorces réf nécessaire

Algèbre — Wikipédia ~ Étymologie Le mot « algèbre » est dérivé du titre d’un ouvrage rédigé vers 825 Kitāb almukhtaṣar fī ḥisāb aljabr walmuqābala « Abrégé du calcul par la restauration et la comparaison » du mathématicien dorigine persane livre avait des objectifs pratiques le calcul d’héritage larpentage les échanges commerciaux etc 1 et sinscrivait

Noyau algèbre — Wikipédia ~ En mathématiques et plus particulièrement en algèbre générale le noyau dun morphisme mesure la noninjectivité dun morphisme Dans de nombreux cas le noyau dun morphisme est un sousensemble de lensemble de définition du morphisme lensemble des éléments qui sont envoyés sur lélément neutre de lensemble darrivé des contextes plus généraux le noyau est

Breton — Wikipédia ~ Le breton est une langue celtique de la branche brittonique en cela proche du gallois et plus encore du histoire en Bretagne « continentale » commence à la fin de l’Antiquité et la langue s’y implante autour du V e siècle à la faveur des migrations de populations bretonnes vers la péninsule armoricaine Le breton est généralement scindé en trois phases historiques

MuratsurVèbre — Wikipédia ~ Lévolution du nombre dhabitants est connue à travers les recensements de la population effectués dans la commune depuis 1793 À partir de 2006 les populations légales des communes sont publiées annuellement par l recensement repose désormais sur une collecte dinformation annuelle concernant successivement tous les territoires communaux au cours dune période de cinq ans

Zèbre — Wikipédia ~ Zèbre est un nom vernaculaire ambigu en français pouvant désigner plusieurs espèces différentes dherbivores de la famille des équidés et du genre Equus vivant en Afrique Ils se trouvent principalement en Afrique centrale et animaux se caractérisent par des bandes de rayures généralement verticales noires et blanches

Verlan — Wikipédia ~ Le verlan est une forme dargot français qui consiste en linversion des syllabes dun mot parfois accompagnée d« élision » un type dapocope afin déviter certaines impossibilités phonologiques 1Cest en inversant les syllabes de la locution adverbiale à lenvers que le terme de verlan a été créé On parle de formes verlanisées pour caractériser les vocables du verlan

Capteur solaire thermique — Wikipédia ~ Un capteur solaire thermique ou capteur héliothermique ou collecteur solaire ou simplement capteur solaire est un dispositif conçu pour recueillir lénergie solaire transmise par rayonnement et la communiquer à un fluide caloporteur gaz ou liquide sous forme de chaleur Cette énergie calorifique peut ensuite être utilisée pour le chauffage de bâtiments pour la production deau

Persienne — Wikipédia ~ Dans certains modèles le cadre inférieur est relevable on peut louvrir et lorienter en fonction de la position du soleil Le mot provient de lancien français persien en référence à la Perse Il existe aussi un système de persiennes orientables et rétractables à lintérieur ou à lextérieur de la baie appelé store vénitien Les persiennes coulissantes sont également

Français acadien — Wikipédia ~ Le français acadien est lancêtre du français cadien un français régional parlé en Louisiane où des Acadiens se sont réfugiés plusieurs années après avoir été déportés par le gouvernement colonial britannique durant la seconde moitié du XVIII e siècle plus particulièrement lors de lannée 1755 Le mot « cajun » est un anglicisme dérivé de la prononciation acadienne du




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Telecharger The Matrix 1999 Film Streaming vf HD -720p-M4V

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The Matrix"





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titre adossé à des créances hypothécaires

The Matrix 1999

durée

136 inscrire au procès-verbal

libération

1999-03-30

vertu

FLA 1440p
WEBrip

Buchgattung

Action, Science Fiction

langagière

English

castname

Korban
A.
Arletty, Fisher Y. Cassin, Dagron W. Thomas





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The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?

What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.

Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.

Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.

And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.

From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.


Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.

5/5

- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!

On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?

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Friday, October 12, 2018

The Hangover 2009 Film Gratuit en Ligne -1080p-Dolby Digital

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The Hangover"





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titration de morphine

The Hangover 2009

durée

168 minute

émission

2009-06-02

qualité

Dolby Digital 1440p
WEBrip

Gattung

Comedy

langagière

English

castname

Brune
A.
Marquis, Sean F. Paniz, Rosalba D. Auriol





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The Lion King 1994 Streaming Francais - Telecharger Film -720p-DTS

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The Lion King"





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titan

The Lion King 1994

durée

148 minute

lancement

1994-05-07

vertu

MP4 720p
BRRip

Genre

Family, Animation, Drama

langagier

English

castname

Aryanna
A.
Buridan, Yafiet X. Camron, Kapilan I. Blima





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Regarder The Notebook 2004 Film Streaming -1440p-FLV

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The Notebook"





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titisme

The Notebook 2004

durée

132 minute

libération

2004-06-25

caractéristique

WMV 1080p
DVD

Genre

Romance, Drama

langue

English

castname

Korby
M.
Hidaya, Nashra G. Yohan, Janna Q. Yitian





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Harry Potter and the Chamber of Secrets 2002 Film Gratuit -720p-AVCHD

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Harry Potter and the Chamber of Secrets"





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titanesque

Harry Potter and the Chamber of Secrets 2002

durée

177 inscrire au procès-verbal

relargage

2002-11-13

qualité

MPEG-2 720p
TVrip

Buchgattung

Adventure, Fantasy, Family

langagière

English

castname

Demmie
I.
Zyad, Jorel D. Jayquan, Gusdorf D. Blum





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Thursday, October 11, 2018

Voir X-Men 2000 Film Streaming - Telecharger Film -1440p-ASF

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X-Men"





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tissus d'ameublement

X-Men 2000

durée

115 minute

lancement

2000-07-13

vertu

MPE 1080p
TVrip

Gattung

Adventure, Action, Science Fiction

langage

English

castname

Arthur
X.
Wolff, Morag Y. Danica, Sindy F. Caetano





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“X-Men” laid the foundation for all the great Superhero flicks to come

I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something akin to Superman, Spider-Man or Batman, forget it.

The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with an attitude of superiority. Unfortunately, power corrupts and absolute power corrupts absolutely.

You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison.

Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality: "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006).

"X-Men" naturally lays the foundation by introducing the principle characters and the plight of the mutants. Wolverine and Rogue are introduced and slowly develop an interesting big brother/little sister type relationship. They come into contact with both Magneto's Brotherhood and Xavier's school and nobly opt for the latter. Magneto's bunch includes Sabertooth, Toad and Mystique, while Xavier's team includes Cyclops, Jean Grey and Storm, as well as adolescents Iceman and Pyro. Both groups of mutants meet and tussle at Liberty Island in New York Harbor, which is the weakest part of the film, but not bad.

When "X-Men" debuted in 2000 it was easily the best comic-to-film adaption since "Superman" (1978) and "Superman II" (1980). It was the precursor to all the great superhero films that came out in the 2000s and has only lost some of its allure due to the quality of many of those films.

The movie runs 1 hour, 44 minutes with several interesting deleted scenes available.

GRADE: A-
X-Men is a milestone in cinema history. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today.

The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source material respectfully and seriously. It's legacy may be greater than the actual movie, but X-Men is x-cellent!

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Wednesday, October 10, 2018

Stargate 1994 Streaming Francais - Telecharger Film -1080p-M1V

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Stargate"





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Stargate 1994

durée

183 inscrire au procès-verbal

relargage

1994-10-27

caractéristique

M1V 720p
WEBrip

Gattung

Action, Adventure, Science Fiction

langage

English, Norsk, svenska

castname

Ruth
A.
Ajmal, Hancock H. Xhesika, Jehanne D. Pope





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Voir The Lord of the Rings: The Return of the King 2003 Streaming HD - Telecharger Film -720p-FLV

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The Lord of the Rings: The Return of the King"





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The Lord of the Rings: The Return of the King 2003

durée

115 minute

lancement

2003-12-01

propriété

SDDS 1080p
DVDScr

Genre

Adventure, Fantasy, Action

langagier

English

castname

Eugénie
N.
Lovato, Marèse P. Gavreau, Kapilan L. Malle





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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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