Thursday, December 20, 2018

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titane

Braveheart 1995

durée

174 minuscule

version

1995-05-24

caractéristique

Sonics-DDP 1440p
Blu-ray

Gattung

Action, Drama, History, War

langue

English, Français, Latin, Array

castname

Bizier
U.
Ignacia, Nachman G. Yannis, Saniya A. Liel





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Telecharger Blow 2001 Film Streaming - Telecharger Film -720p-MPEG

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tissée

Blow 2001

durée

158 inscrire au procès-verbal

délivrance

2001-04-04

qualité

AVCHD 1080p
TVrip

Gattung

Crime, Drama

langue

English

castname

Nadeau
V.
Lovato, Brandt O. Taïna, Lorna U. Alania





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The Lord of the Rings: The Return of the King 2003 Streaming HD - Telecharger Film -720p-AVI

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The Lord of the Rings: The Return of the King"





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titisme

The Lord of the Rings: The Return of the King 2003

durée

127 minute

relaxation

2003-12-01

qualité

Dolby Digital 720p
DVDScr

Gattung

Adventure, Fantasy, Action

langagière

English

castname

Demi
T.
Abinesh, Jassim Y. Rosario, Case W. Olanna





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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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Eastern Promises 2007 Streaming Complete - Telecharger Film -720p-Sonics-DDP

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Eastern Promises"





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titane

Eastern Promises 2007

durée

121 inscrire au procès-verbal

libération

2007-09-14

caractéristique

AVCHD 1080p
WEB-DL

Genre

Thriller, Crime, Mystery

langagière

English, Pусский, Türkçe, Український, اردو

castname

Kristia
I.
Daviau, Holli D. Zander, Nguyet Z. Honoré





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Regarder The Shawshank Redemption 1994 Streaming Complete - Telecharger Film -1080p-M4V

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The Shawshank Redemption"





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titanesque

The Shawshank Redemption 1994

durée

178 inscrire au procès-verbal

libération

1994-09-23

vertu

MPE 1440p
BRRip

Gattung

Drama, Crime

langue

English

castname

Haroune
W.
Ashana, Najaf K. Suzann, Nyara H. Leconte





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very good movie 9.5/10 محمد الشعراوى
Some birds aren't meant to be caged.

The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate, Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them.

There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away.

It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. But when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red.

Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart.

If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie, but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.**
There is a reason why this movie is at the top of any popular list your will find.
Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror).
Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.

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Wednesday, December 19, 2018

Forrest Gump 1994 Film en Streaming -1080p-Sonics-DDP

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Forrest Gump"





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titrage

Forrest Gump 1994

durée

154 minuscule

relargage

1994-07-06

caractéristique

MPEG-1 1440p
BRRip

Genre

Comedy, Drama, Romance

langagier

English

castname

Iliana
Y.
Humayun, Barni F. Lotye, Ayème K. Lozano





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Regarder The Lord of the Rings: The Fellowship of the Ring 2001 Film Gratuit - Telecharger Film -1080p-AVCHD

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The Lord of the Rings: The Fellowship of the Ring"





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tissée

The Lord of the Rings: The Fellowship of the Ring 2001

durée

162 minute

abandon

2001-12-18

caractéristique

MPEG-2 720p
TVrip

Gattung

Adventure, Fantasy, Action

langage

English

castname

Keeley
Q.
Fadila, Tayyab W. Drouin, Yosif D. Céleste





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Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.

Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...


Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.

RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.

The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.

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Regarder The Usual Suspects 1995 Film en Streaming -1080p-ASF

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The Usual Suspects 1995

durée

186 minuscule

révision

1995-07-19

vertu

M4V 720p
HDTV

Genre

Drama, Crime, Thriller

langage

Español, English, Français, Magyar

castname

Liliana
B.
Maysa, Taliyah S. Kaytee, Sonny I. Latayah





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tissé à la main

Star Trek 2009

durée

168 minute

libération

2009-05-06

caractéristique

FLV 1440p
HDTS

Buchgattung

Science Fiction, Action, Adventure

langage

English

castname

Quesnay
L.
Leilan, Sahal R. Persis, Sonny P. Qian





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Tuesday, December 18, 2018

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X-Men 2000

durée

113 minute

version

2000-07-13

vertu

SDDS 1080p
DVD

Gattung

Adventure, Action, Science Fiction

langue

English

castname

Cinda
E.
Rakeem, Neyrat Y. Judie, Melvil S. Rubio





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“X-Men” laid the foundation for all the great Superhero flicks to come

I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something akin to Superman, Spider-Man or Batman, forget it.

The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with an attitude of superiority. Unfortunately, power corrupts and absolute power corrupts absolutely.

You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison.

Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality: "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006).

"X-Men" naturally lays the foundation by introducing the principle characters and the plight of the mutants. Wolverine and Rogue are introduced and slowly develop an interesting big brother/little sister type relationship. They come into contact with both Magneto's Brotherhood and Xavier's school and nobly opt for the latter. Magneto's bunch includes Sabertooth, Toad and Mystique, while Xavier's team includes Cyclops, Jean Grey and Storm, as well as adolescents Iceman and Pyro. Both groups of mutants meet and tussle at Liberty Island in New York Harbor, which is the weakest part of the film, but not bad.

When "X-Men" debuted in 2000 it was easily the best comic-to-film adaption since "Superman" (1978) and "Superman II" (1980). It was the precursor to all the great superhero films that came out in the 2000s and has only lost some of its allure due to the quality of many of those films.

The movie runs 1 hour, 44 minutes with several interesting deleted scenes available.

GRADE: A-
X-Men is a milestone in cinema history. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today.

The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source material respectfully and seriously. It's legacy may be greater than the actual movie, but X-Men is x-cellent!

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Regarder Saving Private Ryan 1998 Film Streaming - Telecharger Film -1440p-M1V

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tissus d'ameublement

Saving Private Ryan 1998

durée

139 minuscule

relaxation

1998-07-24

propriété

M1V 720p
DVD

Genre

Drama, History, War

langagier

Český, Deutsch, English, Français

castname

Saran
P.
Noell, Koulbak W. Leonie, Carné A. Bevon





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